15.7.- SEISES OF SEVILLE: A CENTENNIAL TRADITION IN THE CATHEDRAL

Seville, the city of orange trees and ceramic tiles, harbors one of the most enchanting and captivating spectacles within the majestic Cathedral. During the eight days following the Corpus Christi celebration and in the octave week of the Immaculate Conception, the "seises" take the stage. This group, whose costumes and songs transport us to the 16th century, forms a wonderful ensemble of singing and dancing, carrying with them a history that dates back to time immemorial.

The story of the "seises" is woven into the annals of the Cathedral since 1439 when they were known as "niños cantorcillos" (singing children) and "mozos del coro" (choir boys). Their official regulations date back to 1508. Initially, these young artists dressed as shepherds, wearing outfits that exuded the simplicity and innocence of their youth. Over time, their attire evolved into exquisite pageboy costumes reminiscent of the Austrias court, featuring snug doublets, short breeches, white stockings, and hats adorned with feathers.

The name "seise" is a phonetic modification, through Andalusian "seseo," of the Old Spanish word "seize," meaning sixteen. Thus, initially, the "seises" were undoubtedly a group of sixteen children, although their number has been reduced in modern times.

The music and dances of the "seises" evolved over the centuries, transforming from medieval carols to complex musical compositions accompanied by organ and orchestra. Their repertoire reflects the taste and sensibility of each era, always maintaining a slow and solemn rhythm that adds an aura of grace and reverence to their performance.

Despite their undeniable beauty and solemnity, the tradition of the "seises" was not always universally accepted. Some archbishops attempted to suppress this practice, but the Cathedral Chapter, backed by papal bulls, bravely defended this rich cultural heritage. Even when popes intervened to keep the tradition alive, the condition was imposed that the existing costumes could not be replaced by new ones, leading to ingenious repairs and patchworks to preserve this unparalleled tradition.

In addition to their role in religious ceremonies, the "seises" participate in significant processions, bringing their grace and devotion to the streets of Seville. Their presence during the Corpus procession, where they dance and sing in front of the Custodia, is particularly moving, becoming a living testimony to the city's rich history and spirituality.

The influence of the "seises" extends even beyond the Cathedral's boundaries. Thanks to them, the celestial blue color became the official liturgical tone for the Virgin's festivities throughout Christendom, a tribute to the grace and beauty these young artists bring to the Catholic faith.

The "seises" of Seville are more than mere dancers; they are guardians of a centuries-old tradition, bearers of the very essence of Seville, and witnesses to the devotion and elegance that define this city as truly unique in the world. With every step they take and every note they sing, the "seises" remind us of the importance of preserving and celebrating our cultural roots, turning Seville into a truly magical and eternal place.